DIMENSIONS:
Control Room 10H x 15W x 11D
Live Room 12.5H x 18W x 24D
CONSOLE:
SSL 4064 E/G with Total Recall
ANALOG/DIGITAL RECORDING:
Studer A827 Two Inch 24 track (see the movie Sound City)
ProTools HDX 12 with (3) 192 I/O (24 INS, 32 OUTS) on an iMac 5k 4.2 GHz i7 processor
32 GB Ram, Radion Pro 580 video card
8 GB video ram
Avid HDX 1
Crane Song HEDD 192
MONITORS:
Adam S3-A with Sub
Yamaha NS10M
MIC PREAMPS:
(2) Brent Averill Neve 1272
(2) Brent Averill Neve 3405
Focusrite ISA 110 (Mic Pre, EQ)
TubeTech MEC 1A (Mic Pre, EQ, Compressor)
(3) API 512b
(2) API 512c
(2) API 312
(1) API 550b EQ
(2) Great River MP-2NV
(2) Universal Audio 610 Tube Preamps
(1) Daking Mic Pre 500
COMPRESSORS:
(2) Empirical Labs EL8 Distressor
(2) Empirical Labs EL8 Distressor with British Mod
(4) SPL Transient Designer
(1) Summit TLA Tube Leveling Amp
(1) Universal Audio LA2A
(1) Universal Audio 1176
EFFECTS:
Lexicon 480L
TC Electronics 2290 Digital Delay
Eventide H3000S
Sony R7 Digital Reverb
Mics
1 AKG 414
2 Audio Technica 4041
1 Audio Technica 4060 Tube
1 Audio Technica ATM25
1 Beyer Dynamic M88
1 EV RE20
2 Earthworks TC30
1 Neumann U87 Ai
2 Neumann KM184
1 Royer R121
3 Sennheiser 421
1 Shure Beta 52
1 Shure Beta 57A
1 Shure Beta 58
2 Shure 57